# Fall From Grace
The classic archetype of the 'Fall from Grace' is intriguing, both as a narrative that leads us from a state of bliss to one of horror, and as a reflection of our current global situation. It feels like we have everything we need for happy lives, yet we seem destined to destroy ourselves—whether through ecological collapse, social division, or creating machines that may eventually overpower us.
I also see this mirrored in many capitalist models, particularly in big tech and startups, which is where much of my work and thoughts are centered.
## As a Narrative Tool
There’s something compelling about witnessing the collapse or decay of something, especially when it’s framed within the context of pride or greed, and doubly so when that decay is caused by human folly.
This differs from corruption by external forces; it happens by one’s own hand, making the fall even more powerful. Its appeal often lies in how it serves as a strong warning against well-known societal evils: greed, corruption, and endless extraction.
## Some of My Favorite References from Film and Literature
- **_High Rise_**, J.G. Ballard (1975)
- **_The Bible: Genesis_ (The Garden of Eden)**
- **_Triangle of Sadness_**, Ruben Östlund (2022)
- **_Climax_**, Gaspar Noé (2018)
- **_The Picture of Dorian Gray_**, Oscar Wilde (1890)
- **_The Discreet Charm of the Bourgeoisie_**, Luis Buñuel (1972)
- **_There Will Be Blood_**, Paul Thomas Anderson (2007)
- **_Breaking Bad_**, Vince Gilligan (2008–2013)
## As a Horror Narrative Tool
The 'Fall from Grace' is also a common horror trope, where innocence is presented and then corrupted. We see this with children, clowns, innocent towns, families, and more.
One of my favorite examples of this in cinema is the _Nunsploitation_ sub-genre, where the innocence, obedience, and celibacy of nuns are turned on their heads, often leading to horrific outcomes.